Vilde Frang plays Shostakovich
Semyon Bychkov conducts Dvořák and Rachmaninoff
Torn from his Russian routes, Rachmaninoff composed the Symphonic Dances, reflecting on his youthful loves and exorcising his demons.
Concert programme
-
Antonín Dvorák
Carnaval Overture
-
Dmitri Shostakovich
Violin Concerto No. 1
-
-- interval --
-
Serge Rachmaninoff
Symphonic Dances
Performers
-
Semyon Bychkov
conductor
-
Vilde Frang
violin
About this concert
The sensational Norwegian violinist Vilde Frang will join the Concertgebouw Orchestra in a performance of Shostakovich’s First Violin Concerto, one of the most dramatic solo concertos ever written. The composer wisely waited until Stalin was dead before releasing the work, which violates every Soviet doctrine. Fear, sorrow, hysterical mirth, and a fighting spirit: Vilde Frang captures all the nuances within Shostakovich’s rich emotional palette. Unforgettable, even before the first note is heard.
Veteran conductor Semyon Bychkov is an all-rounder with a unique flair for Russian repertoire. He pairs the tragedy of Shostakovich with the astonishing vitality of an elderly Rachmaninoff. Rachmaninoff was living in the United States, torn from his Russian routes, when he composed the Symphonic Dances, reflecting on his youthful loves and exorcising his demons.
Banishing demons and celebrating life are two things Antonín Dvořák accomplished in his Carnival Overture, with which Semyon Bychkov opens the concert.
Dates and tickets
About this concert
The sensational Norwegian violinist Vilde Frang will join the Concertgebouw Orchestra in a performance of Shostakovich’s First Violin Concerto, one of the most dramatic solo concertos ever written. The composer wisely waited until Stalin was dead before releasing the work, which violates every Soviet doctrine. Fear, sorrow, hysterical mirth, and a fighting spirit: Vilde Frang captures all the nuances within Shostakovich’s rich emotional palette. Unforgettable, even before the first note is heard.
Veteran conductor Semyon Bychkov is an all-rounder with a unique flair for Russian repertoire. He pairs the tragedy of Shostakovich with the astonishing vitality of an elderly Rachmaninoff. Rachmaninoff was living in the United States, torn from his Russian routes, when he composed the Symphonic Dances, reflecting on his youthful loves and exorcising his demons.
Banishing demons and celebrating life are two things Antonín Dvořák accomplished in his Carnival Overture, with which Semyon Bychkov opens the concert.