Klaus Mäkelä and Janine Jansen

Mozart, Prokofiev and Bartók

Klaus Mäkelä en Janine Jansen - photo: Eduardus Lee

Klaus Mäkelä leads the Concertgebouw Orchestra in music full of exciting energy and powerful rhythms, with Janine Jansen in Prokofiev’s Violin Concerto No. 1, preceded by Mozart’s ‘Paris’ Symphony and followed by Bartók’s Concerto for Orchestra.

Bartók’s Concerto for Orchestra is a powerful, vibrant masterpiece – a pure celebration of life itself.

Concert programme

  • Wolfgang Amadeus Mozart

    Symphony No. 31 ‘Paris’

  • Sergei Prokofiev

    Vioolconcert No. 1

  • -- interval --

  • Béla Bartók

    Concerto for Orchestra

Performers

About this concert

Janine Jansen has made guest appearances almost every year with us for over twenty years. The violinist and our chief conductor designate Klaus Mäkelä are now sinking their teeth into Prokofiev’s Violin Concerto No. 1. This is virtuoso, dynamic music, but also poetic and expressive – a perfect fit for Janine Jansen.

The concert opens with the first of Mozart’s symphonies scored for his beloved clarinets, the acclaimed Symphony No. 31 (‘Paris’). After the interval, we will be performing Bartók’s irresistible Concerto for Orchestra, the unexpectedly powerful, vibrant masterpiece that Bartók produced in his final dark years – a pure celebration of life itself.

Dates and tickets

About this concert

Janine Jansen has made guest appearances almost every year with us for over twenty years. The violinist and our chief conductor designate Klaus Mäkelä are now sinking their teeth into Prokofiev’s Violin Concerto No. 1. This is virtuoso, dynamic music, but also poetic and expressive – a perfect fit for Janine Jansen.

The concert opens with the first of Mozart’s symphonies scored for his beloved clarinets, the acclaimed Symphony No. 31 (‘Paris’). After the interval, we will be performing Bartók’s irresistible Concerto for Orchestra, the unexpectedly powerful, vibrant masterpiece that Bartók produced in his final dark years – a pure celebration of life itself.

A preview