On tour: Sol Gabetta plays Martinů’s Cello Concerto No. 1
Santtu-Mattias Rouvali conducts Ravel’s Daphnis et Chloé and Stravinsky
Under the direction of Santtu-Matias Rouvali, the Concertgebouw Orchestra is performing Martinů’s thrilling Cello Concerto No. 1 with soloist Sol Gabetta, Ravel’s second suite from Daphnis et Chloé and works by Dvořák and Stravinsky.
Ravel’s Daphnis et Chloé is a musical feast in which the orchestra gradually transforms into a kaleidoscope of spectacular timbres.
Concert programme
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Antonín Dvořák
In Nature’s Realm
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Bohuslav Martinu
Cello concerto No. 1
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-- interval --
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Igor Stravinsky
Jeu de cartes
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Maurice Ravel
Suite No. 2 from ‘Daphnis et Chloé'
Performers
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Santtu-Matias Rouvali
conductor
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Sol Gabetta
cello
About this concert
When the cellist Sol Gabetta makes a guest appearance, extraordinary concert programmes are guaranteed, especially with Santtu-Matias Rouvali conducting. This time, we’re uncovering hidden gems. Sol Gabetta performs as soloist in the Czech composer Bohuslav Martinů’s Cello Concerto No. 1, an irresistible example of 1930s neoclassical music. A largely unknown concert overture by Martinů’s famed compatriot Dvořák is also on the programme.
Igor Stravinsky was at the height of his neoclassical period when he composed the ballet Jeu de cartes. Although the work has always been overshadowed by his earlier ballet music, no other composer could have set a game of poker so effectively and compellingly to music. And speaking of compelling, Ravel’s Daphnis et Chloé has become an integral part of our repertoire – a musical feast in which the orchestra gradually transforms into a kaleidoscope of spectacular timbres.
Dates and tickets
About this concert
When the cellist Sol Gabetta makes a guest appearance, extraordinary concert programmes are guaranteed, especially with Santtu-Matias Rouvali conducting. This time, we’re uncovering hidden gems. Sol Gabetta performs as soloist in the Czech composer Bohuslav Martinů’s Cello Concerto No. 1, an irresistible example of 1930s neoclassical music. A largely unknown concert overture by Martinů’s famed compatriot Dvořák is also on the programme.
Igor Stravinsky was at the height of his neoclassical period when he composed the ballet Jeu de cartes. Although the work has always been overshadowed by his earlier ballet music, no other composer could have set a game of poker so effectively and compellingly to music. And speaking of compelling, Ravel’s Daphnis et Chloé has become an integral part of our repertoire – a musical feast in which the orchestra gradually transforms into a kaleidoscope of spectacular timbres.